BERCKHEYDE, Gerrit Adriaensz.
Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.
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BERCKHEYDE, Gerrit Adriaensz. The Bend in the Herengracht oil painting


The Bend in the Herengracht
1671-1672 Medium oil on panel Dimensions Height: 42.5 cm (16.7 in). Width: 57.9 cm (22.8 in).
Painting ID::  98387 		BERCKHEYDE, Gerrit Adriaensz.
The Bend in the Herengracht
1671-1672 Medium oil on panel Dimensions Height: 42.5 cm (16.7 in). Width: 57.9 cm (22.8 in).
   
   
     
BERCKHEYDE, Gerrit Adriaensz. The Bend in the Herengracht near the Nieuwe Spiegelstraat in Amsterdam oil painting


The Bend in the Herengracht near the Nieuwe Spiegelstraat in Amsterdam
1672(1672) Medium oil on panel Dimensions 40.5 x 63 cm (15.9 x 24.8 in)
Painting ID::  98388 		BERCKHEYDE, Gerrit Adriaensz.
The Bend in the Herengracht near the Nieuwe Spiegelstraat in Amsterdam
1672(1672) Medium oil on panel Dimensions 40.5 x 63 cm (15.9 x 24.8 in)
   
   
     
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     BERCKHEYDE, Gerrit Adriaensz.
     Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.

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